#MARGOT ROBBIE WOLF OF WALL STREET MOVIE SERIES#

Leading the pack we have Jonah Hill as BelfortвЂ™s sidekick Donnie Azoff, a hedonistic putz with bizarre white teeth who gets some of the biggest and broadest laughs without ever straying into caricature. This might well be because Scorsese has one eye on the backdrop, and around DiCaprio he has assembled one of his best ensembles ever. Nevertheless, we buy into that too, and this is what the film does best: though we are often reminded that Belfort is a love rat, a drug addict and a con man who preys on the poor, these things rarely seem to matter. By the end of the film, Belfort has transformed from huckster to evangelist, and it is his messiah complex that brings about his downfall. The slapstick elements are the most obvious proof of this - the scene in which he attempts to drive his car on vintage Quaaludes is just jaw-dropping - but itвЂ™s hard to think of another actor who could pull that off and then segue so seamlessly back into BelfortвЂ™s public persona. Julius Kelp.ДiCaprio is undoubtedly at his best here, completely in charge of his range and versatility. Jordan Belfort actually is the cool, smart, sophisticated Buddy Love, but with the aid of serious chemicals he transforms himself into the gibbering Dr. One might even wonder if the idea for a film like this was fomenting in the back of ScorseseвЂ™s brain as he filmed Jerry Lewis in The King Of Comedy - strip away the sex and drugs (God forbid, since thatвЂ™s half the movie) and you have The Nutty Professor with the roles reversed.

The Wolf Of Wall Street really feels organic in that way whereas in Gangs Of New York and The Aviator DiCaprio seemed a little formal and staid, here he is completely off the chain. It also feels that ScorseseвЂ™s collaboration with DiCaprio has actually broached the levels of his early work with Robert De Niro. In fact, thereвЂ™s very little modern music, with HowlinвЂ™ WolfвЂ™s pounding Smokestack Lightning accompanying much of the mayhem. His camera stays longer than it used to, and though the trailer suggests lots of jittery rap, the needle-drops are shorter and less foregrounded than usual. Anderson spring to mind - but the sense that this is determined not to be a typical Scorsese movie. Here, one can detect not only a little hint of his godchildren - Tarantino and P.

#MARGOT ROBBIE WOLF OF WALL STREET MOVIE SERIES#

His Personal Journey series of docs famously stop at the point when he started making movies himself, so he doesnвЂ™t have to judge his peers, but The Wolf Of Wall Street has the air of a filmmaker looking round for ideas. It could just be that, for once, Scorsese has been looking around him. And it is the genius of the film, not only in ScorseseвЂ™s direction but in Leonardo DiCaprioвЂ™s untouchable performance, that three hours in the company of a man who exploits the poor and wallows in obscene wealth simply whizzes by. Like the very best of ScorseseвЂ™s work, it involves an antihero who pushes us to the very limits of our sympathy - Jake LaMotta, Rupert Pupkin, Travis Bickle - but Jordan Belfort might be the worst of the bunch. On paper, the story of Jordan Belfort seems tailor-made for him - it is a criminalвЂ™s survivor story, with Wall Street as the Cosa Nostra of our times - but this isnвЂ™t GoodFellas with stocks and shares it is a film with one eye on us, the audience. ItвЂ™s big but not Gangs-Of-New-York epic, and it finally seems as though Scorsese is once again interrogating the material, finding the substance of the piece. With The Wolf Of Wall Street, the directorвЂ™s early energy comes flooding back.

That the comedy is so effortless is another striking thing about ScorseseвЂ™s 23rd feature, since it is his first film since 1999вЂ™s Bringing Out The Dead - also rich in black humour - that doesnвЂ™t seem to be made to an Academy agenda. But the oddest thing of all about The Wolf Of Wall Street is also the most unusual for a Scorsese film: it is incredibly, incredibly funny. Though it starts with a dash of the usual visual pyrotechnics, the tone is much straighter than weвЂ™ve come to expect, with longer, more intimate scenes and a much greater emphasis on script. It arrives as Casino did with a lot of fanfare, but doesnвЂ™t quite deliver what many of us were expecting, and for some, itвЂ™s a film that might take a little bit of getting used to. The Wolf Of Wall Street is the first Martin Scorsese film in a good while that feels as though, in a few years' time, it will join Taxi Driver, Raging Bull and GoodFellas in the canon.

Margot robbie wolf of wall street movie